|
Albums containing "drawings" |
|
|
|
|
Items containing "drawings" |
|
|
|
|
|
|
|
|
From Album: Burra Edward
KEYWORDS:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
|
Verso: |
Civil War |
Exhibited: |
Hayward Gallery, London, Retrospective, 1985, no.51 Arts Council, Touring Exhibition: Edward Burra: drawings from the 1920¹s & 1930¹s, 1993, no.19, illus. |
Matching descriptions:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
|
Verso: |
Civil War |
Exhibited: |
Hayward Gallery, London, Retrospective, 1985, no.51 Arts Council, Touring Exhibition: Edward Burra: drawings from the 1920¹s & 1930¹s, 1993, no.19, illus. |
|
|
|
|
|
|
|
From Album: Collins Cecile RA, MBE
CECIL COLLINS RA, MBE
1908 - 1989
Matching descriptions: Thou Lovest Figure in a room 1942
Ink on paper
Signed & dated lower right; titled verso
14 3/4 x 9 3/4 ins 37.4 x 24.8 cms
Exhibited: Lefevre Gallery, London, 1944, no.48 Tate Gallery, London, 1989, no.104, illus. Anthony d’Offay Gallery, London, 1991
Literature: Alex Comfort, Cecil Collins Paintings & drawings 1935-45, Oxford 1946, p20
|
|
|
|
|
|
|
From Album: Sickert Walter Richard
WALTER RICHARD SICKERT, A.R.A
1860-1942
KEYWORDS: Available
WALTER RICHARD SICKERT, A.R.A
1860-1942
Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester Galleries, London, June 1929, no. 49;
Agnews, London, Paintings & drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine Art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
Matching descriptions: Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester Galleries, London, June 1929, no. 49;
Agnews, London, Paintings & drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine Art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
|
|
|
|
|
|
|
From Album: Wells John
Matching descriptions: 6. Untitled c.1944
Gouache & pencil on paper
7 1/8 x 9 1/2 ins 18 x 24 cms
During his visits to Carbis Bay Wells used to undertake long coastal
walks with Naum Gabo, during which Gabo collected pebbles or
bones and talked of their affinity with the constructive process.
Gabo’s sojourn in Cornwall appears to have confirmed a new
tendency to allow these natural sources into his work, perhaps
brought on by the state of the war and the means to which science
was being put in it. Wells responded to this romantically inspired
modernism through his own interest in natural phenomena and by
developing his own formal vocabulary to include a triangular ellipse
or pebble form. By presenting multiple aspects of a similar form
within the same picture and by drawing interior radiating lines to
define space, these works reference the contemporary crystal
drawings of Barbara Hepworth, an example of which Wells owned.
The use of areas of strong primary colour to indicate an interior
space in Variationsalso recalls the jewel like intensity of colour
used by Hepworth in her S culpture with Colour Deep Blue & Red,
1940 in the Tate collection.
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions: 7. Variations 1944
Pen, ink, pencil & tempera on board
Signed, numbered 73 / 3 & inscribed verso
7 x 10 ins 17.75 x 25.5 cms
Exhibited: Plymouth City Art Gallery, Mackenzie, Mitchell, Wells,1975, no. 40
Newlyn Orion Gallery, Penzance, 1975, no. 1
During his visits to Carbis Bay Wells used to undertake long coastal
walks with Naum Gabo, during which Gabo collected pebbles or
bones and talked of their affinity with the constructive process.
Gabo’s sojourn in Cornwall appears to have confirmed a new
tendency to allow these natural sources into his work, perhaps
brought on by the state of the war and the means to which science
was being put in it. Wells responded to this romantically inspired
modernism through his own interest in natural phenomena and by
developing his own formal vocabulary to include a triangular ellipse
or pebble form. By presenting multiple aspects of a similar form
within the same picture and by drawing interior radiating lines to
define space, these works reference the contemporary crystal
drawings of Barbara Hepworth, an example of which Wells owned.
The use of areas of strong primary colour to indicate an interior
space in Variationsalso recalls the jewel like intensity of colour
used by Hepworth in her S culpture with Colour Deep Blue & Red,
1940 in the Tate collection.
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions: 17
Village 1948
Oil & pencil on canvas laid on board
Signed, dated, numbered 87/ 17, studio stamped & inscribed verso
11 x 15 1/4 ins 27.5 x 38.5 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City Art
Gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions: 18
Figures 1950
Pen, ink & watercolour on paper
Studio stamp & figure drawing verso
7 x 7 ins 18 x 18 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City Art
Gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
|
|
|
|
|
|
|
From Album: Hilton, Roger
1. Charcoal & Gouache 1973
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
3. Charcoal c.1964
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
4. Charcoal & Wash 1967
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
6. Pencil c.1972
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
7. Ballpoint pen c.1965
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
12. Charcoal 1970
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
13. Charcoal & Gouache c.1960
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
15. Charcoal 1966
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
21. Charcoal c.1972
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
22. Charcoal & Gouache 1973
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
23. Pencil c.1972
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
24. Oil & Crayon c.1962
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
25. Charcoal & Gouache 1973
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
26. Goache & Wash 1973
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
27. Goache 1974
KEYWORDS: drawings
sold
|
|
|
|
|
|
|
From Album: Hilton, Roger
28. Charcoal & Pastels c.1968
KEYWORDS: drawings
available
|
|
|
|
|
|
|
From Album: Hilton, Roger
32. Gouache 1973
KEYWORDS: drawings
|
|
|
|
|
|
|
From Album: Hilton, Roger
19. Charcoal & Oil 1974
KEYWORDS: drawings
sold
|
|
|