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Albums containing "galleries" |
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Items containing "galleries" |
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From Album: Blake Peter
KEYWORDS: Available
SIR PETER BLAKE RA
b. 1932
3D 6D 9D + 1/ - 1986
Enamel paint on wood
36 5/8 x 23 1/2 ins 93 x 59 cms
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| Provenance: |
Waddington galleries, London |
Matching descriptions:
SIR PETER BLAKE RA
b. 1932
3D 6D 9D + 1/ - 1986
Enamel paint on wood
36 5/8 x 23 1/2 ins 93 x 59 cms
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| Provenance: |
Waddington galleries, London |
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From Album: Brooker William
Zakynthos 1964
KEYWORDS: Available
7
oil on canvas
30 x 24 in / 76.1 x 61 cm
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London, 29
September – 17 October 1964, no. 4
Matching descriptions:
7
oil on canvas
30 x 24 in / 76.1 x 61 cm
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London, 29
September – 17 October 1964, no. 4
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From Album: Brooker William
Patmos 1964
KEYWORDS: Available
10
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London
29 September – 17 October 1964, no. 9
Matching descriptions:
10
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London
29 September – 17 October 1964, no. 9
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From Album: Brooker William
Thira 1962
KEYWORDS: Available
16
Thira
1962
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic Gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
Matching descriptions:
16
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic Gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
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From Album: Hilton Roger CBE
KEYWORDS: Available
ROGER HILTON CBE
1911 - 1975
Long Black 1956
Oil on canvas
Inscribed, titled & dated verso
8 x 24 ins 20.25 x 61 cms
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| Provenance: |
The artist¹s estate
Waddington galleries, London |
Matching descriptions:
ROGER HILTON CBE
1911 - 1975
Long Black 1956
Oil on canvas
Inscribed, titled & dated verso
8 x 24 ins 20.25 x 61 cms
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| Provenance: |
The artist¹s estate
Waddington galleries, London |
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From Album: Hitchens Ivon
John By Jordan no2 1942
KEYWORDS: Sold
John by Jordan no 2 1942 Signed lower right Signed dated & inscribed on stretcher label Oil on canvas 29 1/4 x 16 1/4 in : 74 x 41 cm
Exhibited Leicester galleries August 1944 no 132 Tate Gallery Retrospective 1963 no 29
In August 1940 Hitchens’ studio at 169 Adelaide Road, Hampstead was damaged by a bomb. He and his wife, together with John, their four-month-old son, moved permanently to Lavington Common, near Petworth in West Sussex, where at first they lived in a caravan which they had bought the year before.
‘Jordan’ was the name of a tin bath, stowed under the caravan when not in use, and the group of John by Jordan paintings are intimate portraits of mother and baby son. The life they depict is one of peace and primal innocence in a sunlit forest glade. Both the subject and its treatment – rich colour and bold brushmarks – express a joyful affirmation in the completest contrast to the anxiety and deprivation of wartime.
Matching descriptions:
1942 Signed lower right Signed dated & inscribed on stretcher label
Oil on canvas
29 1/4 x 16 1/4 in : 74 x 41 cm
Exhibited Leicester galleries August 1944 no 132 Tate Gallery Retrospective 1963 no 29
Comments by Peter Khoroche
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From Album: Nicholson Ben OM
KEYWORDS: Available
BEN NICHOLSON OM
1894 - 1982
Green Chisel 1955
Oil & pencil on canvas
Signed, titled & dated verso
24 x 24 ins 61 x 61 cms
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| Provenance: |
Dartington Hall Trust, Devon
Waddington galleries, London
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| Literature: |
Herbert Read, Ben Nicholson, Lund Humphries, London 1956, vol 2, no.44, illus. Norbert Lynton, Ben Nicholson, Phaidon, London 1993, no.276, illus.
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Matching descriptions:
BEN NICHOLSON OM
1894 - 1982
Green Chisel 1955
Oil & pencil on canvas
Signed, titled & dated verso
24 x 24 ins 61 x 61 cms
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| Provenance: |
Dartington Hall Trust, Devon
Waddington galleries, London
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| Literature: |
Herbert Read, Ben Nicholson, Lund Humphries, London 1956, vol 2, no.44, illus. Norbert Lynton, Ben Nicholson, Phaidon, London 1993, no.276, illus.
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From Album: Sickert Walter Richard
WALTER RICHARD SICKERT, A.R.A
1860-1942
KEYWORDS: Available
WALTER RICHARD SICKERT, A.R.A
1860-1942
Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester galleries, London, June 1929, no. 49;
Agnews, London, Paintings & Drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine Art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
Matching descriptions:
Santa Maria della Salute c.1901
Signed lower right
Oil on panel
10 x 8 ins / 25.4 x 20.3 cm
Provenance:
Dr. Robert Emmons;
Edward Le Bas;
Raymond Mortimer
Exhibited:
Leicester galleries, London, June 1929, no. 49;
Agnews, London, Paintings & Drawings by Sickert
from the Collection of Robert Emmons, 1947, no. 64;
Royal Academy, London, A Painter’s Collection, 1963, no. 142;
Fine Art Society, London, Sickert Loan Exhibition, May – June 1973,
no.38, touring to Edinburgh, June 1973.
Literature:
A. Bertram, Sickert, London & New York, 1955, pl. 13;
W. Baron, Sickert, London, 1973, pp. 63 & 326
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From Album: Tilson Joe ARCA RA
KEYWORDS: Available
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
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| Exhibited: |
Marlborough Gallery, London, 1964
Waddington galleries, London, 1992 |
| Literature: |
Arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
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Matching descriptions:
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
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| Exhibited: |
Marlborough Gallery, London, 1964
Waddington galleries, London, 1992 |
| Literature: |
Arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
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From Album: Wells John
Matching descriptions:
24
Study c.1959
Oil on card
Studio stamp verso
3 1/4 x 15 1/2 ins 8 x 39 cms
As he worked towards his first solo exhibition for the Waddington
galleries in 1960, Wells introduced a larger scale to his paintings, up
to 24 x 58 ins for Landscape Evocation1959, by far the largest work
he had produced. These were generally characterised by a looser
more gestural technique that perhaps both indicate Wells’ awareness
of the contemporary work of his colleagues in St Ives and the
influence of his dealer urging him to make larger, more significant
statements. Many of these paintings possess an elongated horizontal
format, encouraging a linear narrative reading across the composition
and attempting to capture the enormity of the experience of
landscape within a single picture. The change in scale and technique
brought with it uncertainties that led Wells to make, for the first
time, provisional studies for the larger paintings, having abandoned
his technique of scoring the backboard with lines based on systems
of proportion such as the Golden Section. The urgency of
production brought about by the deadline of the Waddington
exhibition is evident in these loosely painted small scale studies.
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From Album: Wells John
Matching descriptions:
25
Landscript c.1959
Oil on board
Studio stamp verso
3 1/2 x 28 ins 9 x 71 cms
As he worked towards his first solo exhibition for the Waddington
galleries in 1960, Wells introduced a larger scale to his paintings, up
to 24 x 58 ins for Landscape Evocation1959, by far the largest work
he had produced. These were generally characterised by a looser
more gestural technique that perhaps both indicate Wells’ awareness
of the contemporary work of his colleagues in St Ives and the
influence of his dealer urging him to make larger, more significant
statements. Many of these paintings possess an elongated horizontal
format, encouraging a linear narrative reading across the composition
and attempting to capture the enormity of the experience of
landscape within a single picture. The change in scale and technique
brought with it uncertainties that led Wells to make, for the first
time, provisional studies for the larger paintings, having abandoned
his technique of scoring the backboard with lines based on systems
of proportion such as the Golden Section. The urgency of
production brought about by the deadline of the Waddington
exhibition is evident in these loosely painted small scale studies.
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From Album: Wynter Bryan 1915-1975
10. Volcanic 1959
KEYWORDS: available Bryan Wynter
10. Volcanic 1959
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington galleries, London, 1959, no. 36
Manchester City Art Gallery, 1961, no. 22
Matching descriptions:
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington galleries, London, 1959, no. 36
Manchester City Art Gallery, 1961, no. 22
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From Album: Wynter Bryan 1915-1975
14. Confluence I 1965
KEYWORDS: available Bryan Wynter
14. Confluence I 1965
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
Arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington galleries, London, Bryan Wynter, 1967, no.
1
Sheviock Gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City Art Gallery 1970, no. 91
New Art Centre, London, Bryan Wynter, 1982
Matching descriptions:
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
Arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington galleries, London, Bryan Wynter,1967, no. 1
Sheviock Gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City Art Gallery 1970, no. 91
New Art Centre, London, Bryan Wynter, 1982
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From Album: Wynter Bryan 1915-1975
16. IMOOS No 5 1972-73
KEYWORDS: available Bryan Wynter
16. IMOOS No 5 1972-73
Gouache on card, wire, concave mirror & light set within
a painted wooden box
Size: h. 22 ½ ins 57 cms
w. 20 ins 51 cms
d. 25 ½ ins 65 cms
Exhibited
Waddington galleries, London, 1974
Penwith galleries, St Ives, 1976
University of Essex, 1988
Tate, St Ives, 1994
Tate, St Ives, Retrospective, 2001
Matching descriptions:
Gouache on card, wire, concave mirror & light set within
a painted wooden box
Size: h. 22 ½ ins 57 cms
w. 20 ins 51 cms
d. 25 ½ ins 65 cms
Exhibited
Waddington galleries, London, 1974
Penwith galleries, St Ives, 1976
University of Essex, 1988
Tate, St Ives, 1994
Tate, St Ives, Retrospective, 2001
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From Album: Hitchens, Ivon 1893-1979
Lilies and Daisies
KEYWORDS: Available
Lilies and Daisies 1965 Signed lower right Oil on canvas 20 x 42 1/2 in : 51 x 108 cm
Exhibited Waddington galleries 1998
Matching descriptions:
1965
Signed lower right
Oil on canvas
20 x 42 1/2 in : 51 x 108 cm
Exhibited Waddington galleries 1998
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From Album: Hitchens, Ivon 1893-1979
Poppies and Black Tulips
KEYWORDS: sold
Poppies and Black Tulips
Signed lower left, Signed dated and inscribed verso
Size 41 x 20 ins / 104 x 51 cms
Exhibited: Leicester galleries
Pallant House Gallery Chichester 1996
Matching descriptions:
Signed lower left,
Signed dated and inscribed verso
Size 41 x 20 ins / 104 x 51 cms
Exhibited: Leicester galleries
Pallant House Gallery Chichester 1996
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From Album: Wells, John
KEYWORDS:
11
Structure in Oval 1947
Oil on canvas
Signed, dated, numbered 86/ 7 & inscribed verso
18 x 14 ins 46 x 35.5 cms
Exhibited: Waddington galleries, London, 1960, no. 37
Tate St. Ives, Retrospective,1998, no. 21 illus.
Wells first employed the three sided shape that he referred to as his ‘pebble form’ during his war years on the Isles of Scilly; and in this important painting he presents it floating at the centre of the composition against an undefined background. Through his association with Gabo and Hepworth, who both explored the interior of their sculptures as much as the exterior, and his own questioning scientific mind, Wells presents ‘the pebble’ as semitransparent, revealing it’s internal structure and the forces that define and maintain its contour. This is one of a series of paintings produced at this time exploring the interior space of organic oval forms, suggestive of a search for the regenerative forces of nature found within seeds that paralleled Peter Lanyon’s Generation Series.
Matching descriptions:
11
Structure in Oval 1947
Oil on canvas
Signed, dated, numbered 86/ 7 & inscribed verso
18 x 14 ins 46 x 35.5 cms
Exhibited:
Waddington galleries, London, 1960, no. 37
Tate St. Ives, Retrospective,1998, no. 21 illus.
Wells first employed the three sided shape that he referred to as
his ‘pebble form’ during his war years on the Isles of Scilly; and in
this important painting he presents it floating at the centre of the
composition against an undefined background. Through his
association with Gabo and Hepworth, who both explored the
interior of their sculptures as much as the exterior, and his own
questioning scientific mind, Wells presents ‘the pebble’ as semitransparent,
revealing it’s internal structure and the forces that
define and maintain its contour. This is one of a series of paintings
produced at this time exploring the interior space of organic oval
forms, suggestive of a search for the regenerative forces of nature
found within seeds that paralleled Peter Lanyon’s Generation Series.
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From Album: Wells, John
Matching descriptions:
28
Composition Variation 1 1963
Oil on board
Signed, dated, numbered 67/ 12, studio stamped & inscribed verso
48 3/8 x 18 1/8 ins 123.5 x 46.5 cms
Exhibited: Waddington galleries, London, 1964, no. 14
Following the commercial success of his more loosely handled landscape
evocations at the 1960 Waddington exhibition, Wells appears to have become
dissatisfied with the lack of structure and coherence in the larger work. He
wrote to Ben Nicholson in January 1961, ‘You may have heard I had a show at
Waddingtons in September last. It seems to have gone quite well. I wish I
could say the same of the work since then. I have produced virtually nothing
and feel as if I never will. I know a show is upsetting but three months is too
long – in fact pathological.’ He eventually turned to his love of geometry and
systems of proportion and musical structure as a means of support. The first
paintings produced in this new austere hard edge style date from later that
year. The present example is an essay in tonal and structural harmony and
recaptures some of the purity of his earliest constructivist work.
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From Album: Blake, Sir Peter RA b.1932
KEYWORDS: Sold
SIR PETER BLAKE RA
b. 1932
Yellow Collage (Marilyn) 1997
Paper collage with mixed media
Signed & dated lower right
27 x 19 1/2 ins 68.5 x 49.5cms
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| Provenance: |
Waddington galleries, London |
Matching descriptions:
SIR PETER BLAKE RA
b. 1932
Yellow Collage (Marilyn) 1997
Paper collage with mixed media
Signed & dated lower right
27 x 19 1/2 ins 68.5 x 49.5cms
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| Provenance: |
Waddington galleries, London |
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From Album: Heron, Patrick 1920-1999
Greenhouse: Black Plant with Yellow Wall 1955
KEYWORDS: Sold
PATRICK HERON
1920-1999
Greenhouse: Black Plant with Yellow Wall 1955
Signed & dated lower left
Oil on canvas
36 x 18 ins
91.4 x 45.7 cm
Provenance:
Private collection, London
Browse & Darby, London
Waddington galleries, London
Matching descriptions:
Signed & dated lower left
Oil on canvas
36 x 18 ins
91.4 x 45.7 cm
Provenance:
Private collection, London
Browse & Darby, London
Waddington galleries, London
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From Album: Piper , John CH LS 1903-1992
John Piper L.G.
b.1903
KEYWORDS: sold
John Piper L.G. b.1903
Still Life
Signed and painted c. 1933
Watercolour, gouache and collage
14 1/2 x 18 ins - 37 x 45.8 cm
Exhibited:
Leicester galleries
Matching descriptions:
Still Life
Signed and painted c. 1933
Watercolour, gouache and collage
14 1/2 x 18 ins - 37 x 45.8 cm
Exhibited:
Leicester galleries
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From Album: Sutherland, Graham 1903-1980
Artichokes 1951
KEYWORDS: Sold
GRAHAM SUTHERLAND
1903-1980
Artichokes 1951
Oil on canvas
10 3/8 x 7 1/4 ins - 26 x 18.5 cm
Exhibited:
Waddington galleries
Matching descriptions:
Oil on canvas
10 3/8 x 7 1/4 ins - 26 x 18.5 cm
Exhibited:
Waddington galleries
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson (1894 - 1982)
Jenny Wren 1925
Signed, dated and inscribed on overlap Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte.
Oil on canvas mounted
on panel.
38 x 47 cm (15 x 181/8 in).
Provenance: Wilfrid Roberts; Waddington galleries, London.
Exhibited: Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of Experiment
1919-39, July 1983-January 1984, Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery, 25 March-11 April 1986,
no.1 illus.
Matching descriptions:
Jenny Wren 1925
Signed, dated & inscribed on overlap
Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte
Oil on canvas mounted on panel
15 x 18 1/8 ins - 38 x 47 cm
Provenance:
Wilfrid Roberts; Waddington galleries, London
Exhibited:
Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of
Experiment 1919-39, July 1983-January 1984,
Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery,
25 March-11 April 1986,
no.1 illus
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From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: Ben Nicholson 1894-1982
Decanter, Goblet and Jug c 1981
Monogrammed and dated verso,
Pen, ink & oil gessoed canvas laid on board,
17 x 18 ins - 43 x 45 1/2 cm
Provenance:
Artist's Estate
Exhibited:
Waddington galleries
Matching descriptions:
Decanter, Goblet and Jug c 1981
Monogrammed and dated verso,
Pen, ink & oil gessoed canvas laid on board,
17 x 18 ins - 43 x 45 1/2 cm
Provenance:
Artist's Estate
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
March 1956 Liver, Black & White
KEYWORDS: Sold
ROGER HILTON CBE
1911 - 1975
March 1956 Liver, Black & White
Signed twice, dated & inscribed verso
Oil on canvas
44 1/8 x 33 7/8 ins 112 x 86 cms
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| Provenance: |
The artist1s estate;
Waddington galleries, London
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| Exhibited: |
British Council, Recent Paintings by Seven British Artists, Australia, 1959, no.34 |
Matching descriptions:
Oil on canvas
44 1/8 x 33 7/8 ins 112 x 86 cms
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| Provenance: |
The artist1s estate;
Waddington galleries, London
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| Exhibited: |
British Council, Recent Paintings by Seven British Artists, Australia, 1959, no.34 |
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From Album: Hilton, Roger
Untitled 1967
KEYWORDS: Sold
Roger Hilton 1911-1975
Untitled 1967
Oil on canvas, Size: 50 x 40 ins
Exhibited: Gruenebaum Gallery New York 1976 p12 illus
Waddington galleries
Matching descriptions:
Oil on canvas
Size: 50 x 40 ins
Exhibited: Gruenebaum Gallery New York 1976 p12 illus
Waddington galleries
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From Album: Hilton, Roger
44. August 1967
KEYWORDS: available
44. August 1967
Signed and dated verso, Oil and
charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited: Adelson galleries, New York
Waddington galleries
Matching descriptions:
Signed and dated verso
Oil and
charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited:
Adelson galleries, New York
Waddington galleries
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From Album: Hilton, Roger
7. Cat 1967
KEYWORDS: available
7. Cat 1967
Signed Gouache on paper
22 x 30 ins / 56 x 76 cms
Exhibited Waddington galleries
Matching descriptions:
Signed Gouache on paper
22 x 30 ins / 56 x 76 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
48. December 1967
KEYWORDS: available
48. December 1967
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited New Art Centre, Oxford Gallery
Gallery Gion Sanyo Kyoto Japan
Waddington galleries
Adelson galleries New York
Matching descriptions:
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited:
New Art Centre,
Oxford Gallery
Gallery Gion Sanyo Kyoto Japan
Waddington galleries
Adelson galleries New York
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From Album: Hilton, Roger
12. Discs circa 1960
KEYWORDS: available
12. Discs circa 1960
Oil and charcoal on paper
14 x 10 ins / 36 x 25.5 cms
Exhibited Waddington galleries
Matching descriptions:
Oil and charcoal on paper
14 x 10 ins / 36 x 25.5 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
14. February 1955
KEYWORDS: available
14. February 1955
Signed and dated verso, Oil on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited New Art Centre
Waddington galleries
Matching descriptions:
Signed and dated verso
Oil on canvas
36 x 30 ins / 91.5 x 76 cms
Exhibited:
New Art Centre
Waddington galleries
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From Album: Hilton, Roger
15. Flowers 1973
KEYWORDS: available
15. Flowers 1973
Monogrammed and dated Gouache and
charcoal on paper 22 x 15 ins / 56 x 38 cms
Exhibited Gruenebaum Gallery, New York
Waddington galleries
Matching descriptions:
Monogrammed and dated
Gouache and
charcoal on paper
22 x 15 ins / 56 x 38 cms
Exhibited:
Gruenebaum Gallery, New York
Waddington galleries
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From Album: Hilton, Roger
9. Head circa 1962
KEYWORDS: available
9. Head circa 1962
Charcoal on paper, 16 x 10 ins / 40.5 x 25.5 cms
Exhibited Waddington galleries
Matching descriptions:
Charcoal on paper,
16 x 10 ins / 40.5 x 25.5 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
20. June 1960
KEYWORDS: 20. June 1960
Signed and dated verso, Oil on canvas
20 x 24 ins / 51 x 61 cms
Exhibited: Austin / Desmond, Waddington galleries
Matching descriptions:
Signed and dated verso,
Oil on canvas
20 x 24 ins / 51 x 61 cms
Exhibited:
Austin / Desmond,
Waddington galleries
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From Album: Hilton, Roger
32 Nude circa 1962
KEYWORDS: 32 Nude circa 1962
Oil and charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Prevenance: Sandra Blow, D H Simon
Exhibited: New Art Centre
Waddington galleries
Matching descriptions:
Oil and charcoal on canvas
36 x 30 ins / 91.5 x 76 cms
Prevenance:
Sandra Blow, D H SimonExhibited:
New Art Centre
Waddington galleries
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From Album: Hilton, Roger
43. Nude circa 1967
KEYWORDS: 43. Nude circa 1967
Charcoal on paper
30 x 22 ins / 76 x 56 cms
Exhibited Hayward Gallery 1993 (Private view card)
Waddington galleries
Matching descriptions:
Charcoal on paper
30 x 22 ins / 76 x 56 cms
Exhibited:
Hayward Gallery 1993 (Private view card)
Waddington galleries
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From Album: Hilton, Roger
24. October 1960
KEYWORDS: 24. October 1960
Signed and dated verso , Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited: Serpentine Gallery 1974 no 48
Scottish Arts Council 1974 no 30
Waddington galleries
Matching descriptions:
Signed and dated verso,
Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited:
Serpentine Gallery 1974 no 48
Scottish Arts Council 1974 no 30
Waddington galleries
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From Album: Hilton, Roger
36. October 1964
KEYWORDS: 36 October 1964
Signed and dated verso, Oil on canvas
30 x 36 ins / 76 x 91.5 cms
Exhibited: Waddington galleries
Matching descriptions:
Signed and dated verso,
Oil on canvas
30 x 36 ins / 76 x 91.5 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
34 Olga 1967
KEYWORDS: 34 Olga 1967
Signed and inscribed
Gouache and charcoal on paper
22 x 30 ins / 56 x 76 cms
Exhibited: Francis Graham-Dixon Gallery
Waddington galleries
Matching descriptions:
Signed and inscribed
Gouache and charcoal on paper
22 x 30 ins / 56 x 76 cms
Exhibited:
Francis Graham-Dixon Gallery
Waddington galleries
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From Album: Hilton, Roger
47. Recumbent Nude circa 1970
KEYWORDS: 47. Recumbent Nude circa 1970
Conte crayon on paper
11 1/2 x 16 1/2 ins / 29 x 42 cms
Exhibited Waddington galleries
Matching descriptions:
Conte crayon on paper
11 1/2 x 16 1/2 ins / 29 x 42 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
50.Sunbather 1974
KEYWORDS: 50.Sunbather 1974
Monogrammed and dated
Gouache and pencil on paper
21 3/4 x 14 3/4 ins / 55.5 x 37.5 cms
Exhibited Waddington galleries
Matching descriptions:
Monogrammed and dated
Gouache and pencil on paper
21 3/4 x 14 3/4 ins / 55.5 x 37.5 cms
Exhibited :
Waddington galleries
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From Album: Hilton, Roger
40. Untitled 1965
KEYWORDS: 40. Untitled 1965
Signed and dated verso, Oil and charcoal
on panel , 11 x 26 ins / 28 x 66 cms
Exhibited Waddington galleries
Matching descriptions:
Signed and dated verso,
Oil and charcoal on panel
11 x 26 ins / 28 x 66 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
26. Builders 1973
KEYWORDS: 26 Builders 1973
Monogrammed and dated
Gouache and charcoal on paper
22 x 14 1/2 ins / 56 x 37 cms
Exhibited: Waddington galleries
Matching descriptions:
Monogrammed and dated
Gouache and charcoal on paper
22 x 14 1/2 ins / 56 x 37 cms
Exhibited:
Waddington galleries
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From Album: Hilton, Roger
28. Untitled 1961
KEYWORDS: 28 Untitled 1961
Signed and dated verso, Oil on canvas
20 x 16 ins / 51 x 40.5 cms
Provence: David Hughes
Exhibited: Waddington galleries
Matching descriptions:
Signed and dated verso,
Oil on canvas
20 x 16 ins / 51 x 40.5 cms
Provence:
David Hughes
Exhibited:
Waddington galleries
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