|
Albums containing "gallery" |
|
|
|
|
Items containing "gallery" |
|
|
|
|
|
|
|
|
|
From Album: Armfield Maxwell
KEYWORDS: Available Maxwell Armfield
1882-1972
The Actress, Sunday Wilshin 1930
Signed, dated
& inscribed ‘OP. 93’
Tempera on panel
24 x 14 1/2 ins
61 x 37 cm
Exhibited:
Royal Academy, London,1930, no. 893.
Arlington gallery, New York, 1938.
Matching descriptions:
MAXWELL ARMFIELD RWS
1882 - 1972
The Actress, Sunday Wilshin 1930
Tempera on panel
Signed, dated & numbered OP. 93 lower left
24 x 14 1/2 ins 61 x 37 cms
|
| Provenance: |
The artist¹s until 1967
M. Martin
|
| Exhibited: |
Royal Academy, London, 1930, no.893
Art Exhibitions Bureau, London, 1930, no.4
Arlington gallery, New York, 1938 |
|
|
|
|
|
|
|
From Album: Brooker William
Milos 1962
KEYWORDS: Available
3
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, Arthur Tooth
& Sons Ltd, London, 16 October – 10 November 1962, no.10
William Brooker Paintings 1952-1968, Arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 49
William Brooker: Paintings 1950-1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983,
no. 29 (illustrated p.21)
Matching descriptions:
3
oil on canvas
30 x 40 in / 76.1 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Exhibited
William Brooker – An Exhibition of Recent Paintings, Arthur Tooth
& Sons Ltd, London, 16 October – 10 November 1962, no.10
William Brooker Paintings 1952-1968, Arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 49
William Brooker: Paintings 1950-1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983,
no. 29 (illustrated p.21)
|
|
|
|
|
|
|
From Album: Brooker William
Rhodos 1964
KEYWORDS: Available
11
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 9
William Brooker Paintings 1952-1968, Arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 43
William Brooker: Paintings 1950 -1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no.12
Matching descriptions:
11
oil on canvas
36 x 40 in / 91.4 x 101.6 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Exhibited
William Brooker, Arthur Tooth & Sons Ltd, London,
29 September – 17 October 1964, no. 9
William Brooker Paintings 1952-1968, Arthur Tooth & Sons Ltd,
London, 6 – 24 February 1968, no. 43
William Brooker: Paintings 1950 -1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no.12
|
|
|
|
|
|
|
From Album: Brooker William
Thira 1962
KEYWORDS: Available
16
Thira
1962
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
Matching descriptions:
16
oil on canvas
201/2 x 24 in / 51.4 x 61 cm
signed & dated lower left
also signed, titled & dated verso
Provenance
Arthur Tooth & Sons Ltd, London
Waddington’s Galleries, London
Exhibited
William Brooker: Paintings 1950 -1983, Polytechnic gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd,
London, 23 June – 17 July 1983, no. 31
|
|
|
|
|
|
|
|
From Album: Brooker William
Oasis 1978
KEYWORDS: Available
17
Oasis
1978
oil on canvas
30 x 36 in / 76.1 x 91.4 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Exhibited
William Brooker: Recent Paintings, Thomas Agnew & Sons Ltd,
London, 23 October – 9 November 1979, no.10
(illustrated on cover)
William Brooker: Paintings 1950-1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no. 50
Matching descriptions:
17
oil on canvas
30 x 36 in / 76.1 x 91.4 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Exhibited
William Brooker: Recent Paintings, Thomas Agnew & Sons Ltd,
London, 23 October – 9 November 1979, no.10
(illustrated on cover)
William Brooker: Paintings 1950-1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no. 50
|
|
|
|
|
|
|
|
From Album: Brooker William
Rose 1979
KEYWORDS: Available
19
Rose
1979
oil on canvas
20 x 18 in / 50.7 x 45.7 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Exhibited
William Brooker: Recent Paintings, Thomas Agnew & Sons Ltd, London,
23 October – 9 November 1979, no. 6
William Brooker: Paintings 1950 -1983, Polytechnic gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd, London,
23 June – 17 July 1983, no. 52
Matching descriptions:
19
oil on canvas
20 x 18 in / 50.7 x 45.7 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Exhibited
William Brooker: Recent Paintings, Thomas Agnew & Sons Ltd, London,
23 October – 9 November 1979, no. 6
William Brooker: Paintings 1950 -1983, Polytechnic gallery, Newcastle-upon-Tyne,
20 May – 19 June 1987, travelling to Thomas Agnew & Sons Ltd, London,
23 June – 17 July 1983, no. 52
|
|
|
|
|
|
|
|
From Album: Brooker William
Still Life 1978
KEYWORDS: Available
20
Still Life with Dried Flowers
1978
oil on canvas
24 x 20 in / 61 x 50.7 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Morgan Grenfell Collection, London
Exhibited
Thomas Agnew & Sons Ltd, London, William Brooker: Recent
Paintings, 23 October – 9 November 1979, no.1
William Brooker: Paintings 1950 -1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no. 49
Matching descriptions:
20
Still Life with Dried Flowers
1978
oil on canvas
24 x 20 in / 61 x 50.7 cm
signed & dated lower right
also signed, titled & dated verso
Provenance
Thomas Agnew & Sons Ltd, London
Morgan Grenfell Collection, London
Exhibited
Thomas Agnew & Sons Ltd, London, William Brooker: Recent
Paintings, 23 October – 9 November 1979, no.1
William Brooker: Paintings 1950 -1983, Polytechnic gallery,
Newcastle-upon-Tyne, 20 May – 19 June 1987, travelling to
Thomas Agnew & Sons Ltd, London, 23 June – 17 July 1983, no. 49
|
|
|
|
|
|
|
|
From Album: Burra Edward
KEYWORDS: Available
Available
EDWARD BURRA ARA
1905 - 1976
Fountain c.1930
Watercolour on paper
Signature stamp lower right
22 x 31 ins 56 x 79 cms
|
| Provenance: |
The artist¹s estate
Lefevre gallery, London
|
Matching descriptions:
EDWARD BURRA ARA
1905 - 1976
Fountain c.1930
Watercolour on paper
Signature stamp lower right
22 x 31 ins 56 x 79 cms
|
| Provenance: |
The artist¹s estate
Lefevre gallery, London
|
|
|
|
|
|
|
|
From Album: Burra Edward
KEYWORDS:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
|
| Verso: |
Civil War |
| Exhibited: |
Hayward gallery, London, Retrospective, 1985, no.51
Arts Council, Touring Exhibition: Edward Burra: Drawings from
the 1920¹s & 1930¹s, 1993, no.19, illus. |
Matching descriptions:
EDWARD BURRA ARA
1905 - 1976
Clothes Shop 1931-2
Pencil on paper
Signature stamp lower left
24 x 19 1/2 ins 61 x 49.5 cms
|
| Verso: |
Civil War |
| Exhibited: |
Hayward gallery, London, Retrospective, 1985, no.51
Arts Council, Touring Exhibition: Edward Burra: Drawings from
the 1920¹s & 1930¹s, 1993, no.19, illus. |
|
|
|
|
|
|
|
From Album: Collins Cecile RA, MBE
CECIL COLLINS RA, MBE
1908 - 1989
Matching descriptions:
Thou Lovest Figure in a room 1942
Ink on paper
Signed & dated lower right; titled verso
14 3/4 x 9 3/4 ins 37.4 x 24.8 cms
Exhibited:
Lefevre gallery, London, 1944, no.48
Tate gallery, London, 1989, no.104, illus.
Anthony d’Offay gallery, London, 1991
Literature:
Alex Comfort, Cecil Collins Paintings & Drawings 1935-45, Oxford 1946, p20
|
|
|
|
|
|
|
|
From Album: Gore Spencer Frederick NEAC, LG
SPENCER FREDERICK GORE NEAC, LG
1878 - 1914
KEYWORDS: SPENCER FREDERICK GORE NEAC, LG
1878 - 1914
Sunset, Letchworth Man and dog 1912
Oil on canvas
Signed lower right; titled, inscribed & dated verso
20 x 24 ins 51 x 61 cms
Provenance: Alexander Gregory-Hood
Exhibited: Carfax gallery, London, 1913, no.17
Redfern gallery, London, 1962, no.60
Anthony d’Offay gallery, London, 1983, no.23
Royal Academy, British Art in the Twentieth Century
London 1987, no.10, illus.
Matching descriptions:
Sunset, Letchworth Man and dog 1912
Oil on canvas
Signed lower right; titled, inscribed & dated verso
20 x 24 ins 51 x 61 cms
Provenance:
Alexander Gregory-Hood
Exhibited:
Carfax gallery, London, 1913, no.17
Redfern gallery, London, 1962, no.60
Anthony d’Offay gallery, London, 1983, no.23
Royal Academy, British Art in the Twentieth Century, London 1987, no.10, illus.
|
|
|
|
|
|
|
|
From Album: Hitchens Ivon
John By Jordan no2 1942
KEYWORDS: Sold
John by Jordan no 2 1942 Signed lower right Signed dated & inscribed on stretcher label Oil on canvas 29 1/4 x 16 1/4 in : 74 x 41 cm
Exhibited Leicester Galleries August 1944 no 132 Tate gallery Retrospective 1963 no 29
In August 1940 Hitchens’ studio at 169 Adelaide Road, Hampstead was damaged by a bomb. He and his wife, together with John, their four-month-old son, moved permanently to Lavington Common, near Petworth in West Sussex, where at first they lived in a caravan which they had bought the year before.
‘Jordan’ was the name of a tin bath, stowed under the caravan when not in use, and the group of John by Jordan paintings are intimate portraits of mother and baby son. The life they depict is one of peace and primal innocence in a sunlit forest glade. Both the subject and its treatment – rich colour and bold brushmarks – express a joyful affirmation in the completest contrast to the anxiety and deprivation of wartime.
Matching descriptions:
1942 Signed lower right Signed dated & inscribed on stretcher label
Oil on canvas
29 1/4 x 16 1/4 in : 74 x 41 cm
Exhibited Leicester Galleries August 1944 no 132 Tate gallery Retrospective 1963 no 29
Comments by Peter Khoroche
|
|
|
|
|
|
|
|
From Album: Nicholson Winifred
WINIFRED NICHOLSON
1893-1981
KEYWORDS: Available
WINIFRED NICHOLSON
1893-1981
Four Pots of Flowers and Two Dolls c. 1925
Oil on canvas
56 x 76 cm
Provenance:
Helen Sutherland
Private Collection, Oxfordshire.
Exhibited:
Crane Kalman gallery, London
Matching descriptions:
Four Pots of Flowers and Two Dolls c. 1925
Oil on canvas
56 x 76 cm
Provenance:
Helen Sutherland
Private Collection, Oxfordshire.
Exhibited:
Crane Kalman gallery, London
|
|
|
|
|
|
|
From Album: Pasmore Victor
KEYWORDS: Available
VICTOR PASMORE RA, LG
1908 - 1998
The Supper at Emmaeus 1942-1946
Oil on canvas
Initialled lower right
32 1/4 x 43 3/4 ins 82 x 11 cms
|
| Provenance: |
Sir Michael Balcon
|
| Exhibited: |
Tate gallery, London, Retrospective, 1965, no.50
|
| Literature: |
Alan Bowness & Luigi Lambertini, Victor Pasmore Catalogue Raisonne, New York, 1980, p.11, no.92, ill, p.55 Sir Kenneth Clark, Victor Pasmore, Penguin, 1945, ill, pl.16 Bruce Laughton, The Euston Road School, Scolar Press, 1986, p.228, ill, 285-6
|
Matching descriptions:
VICTOR PASMORE RA, LG
1908 - 1998
The Supper at Emmaeus 1942-1946
Oil on canvas
Initialled lower right
32 1/4 x 43 3/4 ins 82 x 11 cms
|
| Provenance: |
Sir Michael Balcon
|
| Exhibited: |
Tate gallery, London, Retrospective, 1965, no.50
|
| Literature: |
Alan Bowness & Luigi Lambertini, Victor Pasmore Catalogue Raisonne, New York, 1980, p.11, no.92, ill, p.55 Sir Kenneth Clark, Victor Pasmore, Penguin, 1945, ill, pl.16 Bruce Laughton, The Euston Road School, Scolar Press, 1986, p.228, ill, 285-6
|
|
|
|
|
|
|
|
From Album: Piper John
KEYWORDS:
JOHN PIPER LG, CH
1903 - 92
Dungeness Girls 1933
Oil on canvas
Signed lower left
30 x 20 ins 76 x 51 cms
|
| Exhibited: |
Zwemmer gallery, 1934
Arts Council, British Art and the Modern Movement,
National Museum of Wales, Cardiff, 1962, no.26
|
| Literature: |
Anthony West, John Piper, 1979, no.14 illus. |
Matching descriptions:
JOHN PIPER LG, CH
1903 - 92
Dungeness Girls 1933
Oil on canvas
Signed lower left
30 x 20 ins 76 x 51 cms
|
| Exhibited: |
Zwemmer gallery, 1934
Arts Council, British Art and the Modern Movement,
National Museum of Wales, Cardiff, 1962, no.26
|
| Literature: |
Anthony West, John Piper, 1979, no.14 illus. |
|
|
|
|
|
|
|
From Album: Piper John
KEYWORDS:
JOHN PIPER LG, CH
1903 - 1992
Public Bar 1933
Gouache & collage on paper
Signed lower centre
15 x 19 1/4 ins 38.1 x 48.8 cms
|
| Provenance: |
Myfanwy Piper
|
| Exhibited: |
Temple Newsham gallery, Leeds, Henry Moore,
John Piper & Graham Sutherland, 1941
Tate gallery, London, Retrospective 1983, no.53, illus.
Dulwich Picture gallery, London, John Piper in the 1930¹s,
Centenary Exhibition, 2003, no.8, illus.
|
Matching descriptions:
JOHN PIPER LG, CH
1903 - 1992
Public Bar 1933
Gouache & collage on paper
Signed lower centre
15 x 19 1/4 ins 38.1 x 48.8 cms
|
| Provenance: |
Myfanwy Piper
|
| Exhibited: |
Temple Newsham gallery, Leeds, Henry Moore,
John Piper & Graham Sutherland, 1941
Tate gallery, London, Retrospective 1983, no.53, illus.
Dulwich Picture gallery, London, John Piper in the 1930¹s,
Centenary Exhibition, 2003, no.8, illus.
|
|
|
|
|
|
|
|
|
From Album: Tilson Joe ARCA RA
KEYWORDS: Available
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
|
| Exhibited: |
Marlborough gallery, London, 1964
Waddington Galleries, London, 1992 |
| Literature: |
Arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
|
Matching descriptions:
JOE TILSON ARCA RA
b.1928
1234567890 Obelisk 1963
Oil on wooden construction
40 1/2 x 8 x 3 ins 103 x 20.5 x 7.25 cms
|
| Exhibited: |
Marlborough gallery, London, 1964
Waddington Galleries, London, 1992 |
| Literature: |
Arturo Quintavalle, Tilson,
Pre-art, Milan, 1977, p.202
|
|
|
|
|
|
|
|
|
From Album: Wells John
KEYWORDS: Available
Seabird 1946
Oil & pencil on board
Signed, dated, studio stamped & inscribed verso
5 x 8 ins 12.75 x 20.25 cms
Exhibited:Lefevre gallery, London, 1946, no. 67
Durlacher gallery, New York, 1952, no.1
Matching descriptions:
9. Seabird 1946
Oil & pencil on board
Signed, dated, studio stamped & inscribed verso
5 x 8 ins 12.75 x 20.25 cms
Exhibited:Lefevre gallery, London, 1946, no. 67
Durlacher gallery, New York, 1952, no.1
|
|
|
|
|
|
|
|
From Album: Wells John
KEYWORDS: Available
Three Circles in Squares 1967
Oil on wood construction
Signed, dated, numbered 67/ 2 & inscribed verso
32 x 26 ins 82 x 66.5 cms
Exhibited: Penwith gallery, St Ives, 1967
Edinburgh Festival, 1967
Sheviock gallery, 1970
Penwith Society, 1970
Matching descriptions:
32
Three Circles in Squares 1967
Oil on wood construction
Signed, dated, numbered 67/ 2 & inscribed verso
32 x 26 ins 82 x 66.5 cms
Exhibited:
Penwith gallery, St Ives, 1967
Edinburgh Festival, 1967
Sheviock gallery, 1970
Penwith Society, 1970
By 1967 Wells had arrived at a position of the utmost simplicity of
forms and means of expression, reducing the image to a few
repeated shapes and combined colours. In this work, a rare relief,
the proportion of the circles to the squares remains consistent but
each is treated in a different colour to create an undefined and
ambiguous spatial sense. The interior of the middle sized square is
painted with a pure cobalt blue whilst the larger square is applied
with a mixture of cobalt blue and white. Following its extended
exhibition history, Wells repainted a number of sections in 1972.
|
|
|
|
|
|
|
|
From Album: Whiteley Brett
KEYWORDS: Available
BRETT WHITELEY
1939 - 1992
Orange Gouache 1961
Gouache on paper
Signed & dated lower right; titled & inscribed verso
21 1/2 x 25 ins 55 x 64 cms
|
| Provenance: |
Mrs Geoffrey Colman
|
| Exhibited: |
Matthiesen gallery, London, Paintings and Gouaches, 1962
Norwich Castle Museum, 1964, no 76
|
Matching descriptions:
BRETT WHITELEY
1939 - 1992
Orange Gouache 1961
Gouache on paper
Signed & dated lower right; titled & inscribed verso
21 1/2 x 25 ins 55 x 64 cms
|
| Provenance: |
Mrs Geoffrey Colman
|
| Exhibited: |
Matthiesen gallery, London, Paintings and Gouaches, 1962
Norwich Castle Museum, 1964, no 76
|
|
|
|
|
|
|
|
|
From Album: Wynter Bryan 1915-1975
10. Volcanic 1959
KEYWORDS: available Bryan Wynter
10. Volcanic 1959
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington Galleries, London, 1959, no. 36
Manchester City Art gallery, 1961, no. 22
Matching descriptions:
BW 038
Signed, titled & dated verso
Oil on canvas
Size: 28 ¼ x 17 1/8 ins
71.7 x 43.4 cms
Exhibited
Waddington Galleries, London, 1959, no. 36
Manchester City Art gallery, 1961, no. 22
|
|
|
|
|
|
|
From Album: Wynter Bryan 1915-1975
14. Confluence I 1965
KEYWORDS: available Bryan Wynter
14. Confluence I 1965
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
Arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington Galleries, London, Bryan Wynter, 1967, no.
1
Sheviock gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City Art gallery 1970, no. 91
New Art Centre, London, Bryan Wynter, 1982
Matching descriptions:
BW 066
Signed, titled & dated verso
Oil on canvas
Size: 60 x 48 1/8 ins
152.3 x 122.2 cms
Exhibited
Arts Council, Belfast, Bryan Wynter, 1966, no. 18
Waddington Galleries, London, Bryan Wynter,1967, no. 1
Sheviock gallery, Torpoint, 1969, no. 5
Bath Festival 1969, no. 60
Plymouth City Art gallery 1970, no. 91
New Art Centre, London, Bryan Wynter, 1982
|
|
|
|
|
|
|
|
From Album: Tibble Geofrey
Self Portrait
KEYWORDS: Not For Sale Geofrey Tibble
Self Portrait 1951
Signed; signed and dated verso
Oil on canvas
Size: 14 x 10 ins
35.5 x 25.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 60
Matching descriptions:
Self Portrait 1951
Signed; signed and dated verso
Oil on canvas
Size: 14 x 10 ins
35.5 x 25.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 60
|
|
|
|
|
|
|
|
From Album: Tibble Geofrey
Trio
KEYWORDS: Not For Sale Geofrey Tibble
Trio 1950
Signed; signed & dated verso
Oil on canvas
Size: 36 x 28 ins
91 x 71 cm
Exhibited:
Manchester City Art gallery, 1958, no. 52
NFS
Matching descriptions:
6
Trio 1950
Signed; signed & dated verso
Oil on canvas
Size: 36 x 28 ins
91 x 71 cm
Exhibited:
Manchester City Art gallery, 1958, no. 52
|
|
|
|
|
|
|
|
From Album: Tibble Geofrey
The Ladder
KEYWORDS: available Geofrey Tibble
The Ladder 1951
Signed; signed, titled & dated verso
Oil on canvas
Size: 22 x 16 ins
56 x 40.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 55
Matching descriptions:
9
The Ladder 1951
Signed; signed, titled & dated verso
Oil on canvas
Size: 22 x 16 ins
56 x 40.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 55
|
|
|
|
|
|
|
|
From Album: Tibble, George
Garage
KEYWORDS: sold Garage 1950 Geofrey Tibble
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 40 ins
76 x 101.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 53
Matching descriptions:
7
Garage 1950
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 40 ins
76 x 101.5 cm
Exhibited:
Manchester City Art gallery, 1958, no. 53
|
|
|
|
|
|
|
|
From Album: Tibble, George
The Cove
KEYWORDS: sold Geofrey Tibble
The Cove 1951
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 20 ins
76 x 51 cms
Exhibited:
Manchester City Art gallery, 1958 no.59
Matching descriptions:
3 The Cove 1951
Signed; signed, titled and dated verso
Oil on canvas
Size: 30 x 20 ins
76 x 51 cms
Exhibited:
Manchester City Art gallery, 1958 no.59
|
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
Foliage by Water no 3
KEYWORDS: Available
Foliage by Water no 3 1962 Signed lower right signed dated & inscribed on stretcher label Oil on canvas 17 1/2 x 58 1/4 in : 44 x 148 cm
Exhibited Tate gallery Retrospective 1963 no 152
This painting and six others of the same subject were shown together at the
Tate retrospective of Hitchens’ work in 1963. They hung in the last room and
one wonders how many visitors, having already seen one hundred and fifty exhibits, will have had the patience and stamina to compare and contrast
these latest masterworks. Yet here was a rare opportunity to study Hitchens’ method, appreciate his aims, and marvel at his inventiveness.
Of the entire series of twelve paintings no 3 is the most daringly economical. The two competing focuses of interest are the sweeping arc on the left and the partially obscured blue diamond on the right. But even as one contemplates these simple geometries, the flat screens of colour, superimposed on one another, create space and recession: the arc becomes a tree-bordered
shoreline; in the background rises the barrier of a forest plantation; and above are the pale blue, thinly clouded skies of spring. A smaller arc, over the blue diamond, echoes the larger and sets up a rhythm. By such seemingly simple gestures Hitchens recreates his experience of a particular landscape while at the same time constructing an independently satisfying pattern on the canvas. Holding the two in equilibrium is Hitchens’ magical secret and the secret of
the painting’s perennial freshness and mystery.
Matching descriptions:
1962
Signed lower right signed dated & inscribed on stretcher label
Oil on canvas
17 1/2 x 58 1/4 in : 44 x 148 cm
Exhibited Tate gallery Retrospective 1963 no 152
Comments by Peter Khoroche
|
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
Dahlias and Yellow
KEYWORDS: sold
Dahlias and Yellow
Signed lower left, Signed dated and inscribed verso, Oil on canvas
Size 22 ½ x 43 ins / 57 x 109 cms
Provenance: Franklin Kissner New York
Exhibited: Arti et Amicitiae Amsterdam 1994
Pallant House gallery Chischester 1996
Matching descriptions:
Signed lower left,
Signed dated and inscribed verso,
Oil on canvas
Size 22 ½ x 43 ins / 57 x 109 cms
Provenance: Franklin Kissner New York
Exhibited: Arti et Amicitiae Amsterdam 1994
Pallant House gallery Chischester 1996
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
Poppies and Black Tulips
KEYWORDS: sold
Poppies and Black Tulips
Signed lower left, Signed dated and inscribed verso
Size 41 x 20 ins / 104 x 51 cms
Exhibited: Leicester Galleries
Pallant House gallery Chichester 1996
Matching descriptions:
Signed lower left,
Signed dated and inscribed verso
Size 41 x 20 ins / 104 x 51 cms
Exhibited: Leicester Galleries
Pallant House gallery Chichester 1996
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
Tree Banked River
KEYWORDS: sold
Tree Banked River
Signed lower left, Signed dated and inscribed verso
Oil on canvas, Size 23 x 61 ins / 59 x 155 cms
Exhibited: Poindexter gallery New York 1966 no 6
Matching descriptions:
Signed lower left,
Signed dated and inscribed verso
Oil on canvas,
Size 23 x 61 ins / 59 x 155 cms
Exhibited: Poindexter gallery New York 1966 no 6
|
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
Persia
KEYWORDS: sold
Persia
Signed and dated lower right, Oil on canvas
Size 18 ½ x 56 ½ ins / 47 x 143.5 cms
Exhibited: Serpentine gallery 1989 no 41
City Museum and Art gallery Hantley 1990
De la Warr Pavilion Bexhill-on-Sea 1997
Matching descriptions:
Signed and dated lower right,
Oil on canvas
Size 18 ½ x 56 ½ ins / 47 x 143.5 cms
Exhibited: Serpentine gallery 1989 no 41
City Museum and Art gallery Hantley 1990
De la Warr Pavilion Bexhill-on-Sea 1997
|
|
|
|
|
|
|
From Album: Hitchens, Ivon 1893-1979
The In and Out of Spaces
KEYWORDS: sold
The In and Out of Spaces
Signed and dated lower right
Oil on canvas, Size 16 ½ x 56 ½ ins / 42 x 143.5 cms
Exhibited: Serpentine gallery 1989 no 45 illus
De la Warr Pavilion Bexhill-on-Sea 1997
Matching descriptions:
Signed and dated lower right
Oil on canvas,
Size 16 ½ x 56 ½ ins / 42 x 143.5 cms
Exhibited: Serpentine gallery 1989 no 45 illus
De la Warr Pavilion Bexhill-on-Sea 1997
|
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
7. Variations 1944
Pen, ink, pencil & tempera on board
Signed, numbered 73 / 3 & inscribed verso
7 x 10 ins 17.75 x 25.5 cms
Exhibited: Plymouth City Art gallery, Mackenzie, Mitchell, Wells,1975, no. 40
Newlyn Orion gallery, Penzance, 1975, no. 1
During his visits to Carbis Bay Wells used to undertake long coastal
walks with Naum Gabo, during which Gabo collected pebbles or
bones and talked of their affinity with the constructive process.
Gabo’s sojourn in Cornwall appears to have confirmed a new
tendency to allow these natural sources into his work, perhaps
brought on by the state of the war and the means to which science
was being put in it. Wells responded to this romantically inspired
modernism through his own interest in natural phenomena and by
developing his own formal vocabulary to include a triangular ellipse
or pebble form. By presenting multiple aspects of a similar form
within the same picture and by drawing interior radiating lines to
define space, these works reference the contemporary crystal
drawings of Barbara Hepworth, an example of which Wells owned.
The use of areas of strong primary colour to indicate an interior
space in Variationsalso recalls the jewel like intensity of colour
used by Hepworth in her S culpture with Colour Deep Blue & Red,
1940 in the Tate collection.
|
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
12
Pageant 1947-8
Oil on board
Signed, numbered 85/ 8 & inscribed verso
9 x 11 3/4 ins 23 x 30 cms
Exhibited:
Lefevre gallery, London, 1946, no. 41
Crypt Group, St Ives, 1946, no. 47
Newlyn Orion gallery, Penzance, 1985
This painting is a reworking of the earlier painting, Nuclear Dance
dated 1945. From the backboard it would appear that Nuclear
Dance was originally the other way up so that the composition read
with a straight horizon line towards the lower quarter of the board.
Typical keel like forms and thrusting chevrons topped with balancing
triangles, when read in this way, are suggestive of a musical notation
almost gently rocking across the composition. Pageant, created over
the top of Nuclear Dance three years later, inverts the image and
stacks the forms on a series of points topped with acute angled
shapes akin to flags or pennants, that create a more staccato
rhythm.
|
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
13
Homage to Naum Gabo 1948
Oil on canvas
Signed, dated, numbered 73 / 2 & inscribed verso
16 x 20 ins 40.5 x 51 cms
Exhibited:
Penwith Society, St Ives, 1973
Plymouth City Art gallery, Mackenzie, Mitchell, Wells 1975, no 44
Tate St. Ives Retrospective,1998, no. 25
The title Homage to Naum Gaboappears to be Wells’ later
addition to this work which is listed as Painting 1948 (Gaboid)on the
artist’s card index system. Following Gabo’s departure from
St. Ives to travel to America in November 1946, Wells and Lanyon,
the two artists owing the most to his instruction and advice, formed
a close friendship, working through and discussing ideas together.
Throughout the late 1940s Wells continued to make and exhibit
three-dimensional constructions whilst his painted work developed
a more plastic sculptural quality. This composition is one of Wells’
most ambitious creations, combining a sense of lateral motion and
recessional depth for the fractured form that also alludes to the
material quality of Perspex, with radiating lines inscribed into the surface.
The use of the dense green as a textured background may refer
back to Gabo’s first paintings made in St. Ives, which used similar
tones, but it also helps place the object against an organic, natural
environment as if we are glimpsing some elemental force within the
landscape.
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
17
Village 1948
Oil & pencil on canvas laid on board
Signed, dated, numbered 87/ 17, studio stamped & inscribed verso
11 x 15 1/4 ins 27.5 x 38.5 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City Art
gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
18
Figures 1950
Pen, ink & watercolour on paper
Studio stamp & figure drawing verso
7 x 7 ins 18 x 18 cms
Wells worked as an assistant to Barbara Hepworth from 1949-51,
notably on her series of monumental figurative sculptures of the
period including Cosdon Head, 1949 in the Birmingham City Art
gallery Collection These works combined Hepworth’s interest in
pure abstraction with her figure drawings of the preceding few years.
Many of her works involved two figures presented together, either
the same figure for different viewpoints or entwined in some way.
Wells at this time developed an interest in incorporating heads and
figures within landscape forms as symbolic of man’s interaction with
nature. This rare linear study is also related to a series of etchings
made at this time.
|
|
|
|
|
|
|
|
From Album: Wells, John
Matching descriptions:
31
Blue with Red 1964-67
Oil on canvas laid on panel
Signed, dated, numbered 65/ 1 & inscribed verso
18 x 24 ins 46 x 61 cms
Exhibited:
Penwith Society, 1965
Signals gallery, London, 1966
Edinburgh Festival, 1968
Penwith Society, 1972
Newlyn Orion gallery, Penzance, 1975
This painting worked on over a three year period is a powerful
example of Wells’ continuing use of non-representational,
constructive colour. The combination of three different sized
and coloured squares painted on a plain background extends his
interest in the relative implied progression and recession of each
shape in relation to the other elements within the picture.
|
|
|
|
|
|
|
|
From Album: Tunnard, John ARA LG 1900 - 1971
John Tunnard
1900-1971
KEYWORDS: sold
John Tunnard 1900-1971
Project 1942
Signed and dated
Signed and inscribed verso
Oil on board, Size 23 3/4 x 36 ins
Provenance: Sir D. Scott
Exhibited: Redfern gallery 1942 no 3
British Council touring exhibition of Argentina 1943
Literatur: A. Peat and B. Whitton John Tunnard
His Life and Work, Aldershot 1997 no 273
Matching descriptions:
Project 1942
Signed and dated
Signed and inscribed verso
Oil on board, Size 23 3/4 x 36 ins
Provenance: Sir D. Scott
Exhibited: Redfern gallery 1942 no 3
British Council touring exhibition of Argentina 1943
Literatur: A. Peat and B. Whitton John Tunnard
His Life and Work, Aldershot 1997 no 273
|
|
|
|
|
|
|
From Album: Sutherland, Graham 1903-1980
Figure and Vine Structure 1948
KEYWORDS: Sold
Graham Sutherland 1903-1980
Figure and Vine Structure 1948
Signed and dated, Oil on canvas
Size 10 1/2 x 19 1/2 ins
Provenance: A.Brandt
Exhibited: Hanover gallery 1948 no 18
Bucholz gallery New York 1948 no 17
Redfern gallery 1952 no 18
Literatur: R. Melville The imagery of Graham Sutherland,
D. Cooper The Work of G. Sutherland, London 1961 pl 88 f
Matching descriptions:
Signed and dated, Oil on canvas
Size 10 1/2 x 19 1/2 ins
Provenance: A.Brandt
Exhibited: Hanover gallery 1948 no 18
Bucholz gallery New York 1948 no 17
Redfern gallery 1952 no 18
Literatur: R. Melville The imagery of Graham Sutherland,
D. Cooper The Work of G. Sutherland, London 1961 pl 88 f
|
|
|
|
|
|
|
From Album: Lanyon, Peter 1918-1964
Peter Lanyon
KEYWORDS: Peter Lanyon 1918-1964
Two Diving 1962
Signed, dated and inscribed verso
Oil on board with glass plastic and enamel
Size 34 x 16 ins
Exhibited: Gimpel Fils 1975 no 26
Hayward gallery touring exhibition 1992-3, p41 no 33 illus
Matching descriptions:
1918-1964
Two Diving 1962
Signed, dated and inscribed verso
Oil on board with glass plastic and enamel
Size 34 x 16 ins
Exhibited: Gimpel Fils 1975 no 26
Hayward gallery touring exhibition
1992-3, p41 no 33 illus
|
|
|
|
|
|
|
|
From Album: Lanyon, Peter 1918-1964
Peter Lanyon
1918-1964
KEYWORDS: sold
Peter Lanyon 1918 - 1964
Construction in Green 1947
Signed and dated lower right
Signed, dated and inscribed,verso
11 3/4 x 16 ins - 30 x 40 1/2 cm
Provenance:
Sheila Lanyon
Exhibited:
Crypt Group St. Ives, 1948, no. 47;
Lefevre gallery, 1949, no. 44;
Arts Council of Great Britain, 1968, no. 13
Literature:
A. Causey, Peter Lanyon, Aidan Ellis, p. 44, no. 13, pl. 6;
A. Lanyon, Peter Lanyon, 1990, p. 80, illus
Matching descriptions:
Construction in Green 1947
Signed and dated lower right
Signed, dated and inscribed,verso
11 3/4 x 16 ins - 30 x 40 1/2 cm
Provenance:
Sheila Lanyon
Exhibited:
Crypt Group St. Ives, 1948, no. 47;
Lefevre gallery, 1949, no. 44;
Arts Council of Great Britain, 1968, no. 13
Literature:
A. Causey, Peter Lanyon, Aidan Ellis, p. 44, no. 13, pl. 6;
A. Lanyon, Peter Lanyon, 1990, p. 80, illus
|
|
|
|
|
|
|
From Album: Nicholson, Ben 1894-1982
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson (1894 - 1982)
Jenny Wren 1925
Signed, dated and inscribed on overlap Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte.
Oil on canvas mounted
on panel.
38 x 47 cm (15 x 181/8 in).
Provenance: Wilfrid Roberts; Waddington Galleries, London.
Exhibited: Cambridge, Kettles Yard gallery, Ben Nicholson: The Years of Experiment
1919-39, July 1983-January 1984, Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television gallery, 25 March-11 April 1986,
no.1 illus.
Matching descriptions:
Jenny Wren 1925
Signed, dated & inscribed on overlap
Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte
Oil on canvas mounted on panel
15 x 18 1/8 ins - 38 x 47 cm
Provenance:
Wilfrid Roberts; Waddington Galleries, London
Exhibited:
Cambridge, Kettles Yard gallery, Ben Nicholson: The Years of
Experiment 1919-39, July 1983-January 1984,
Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television gallery,
25 March-11 April 1986,
no.1 illus
|
|
|
|
|
|
|
|
From Album: Wood, Christopher 1901-1930
Christopher Wood
1901-30
KEYWORDS: sold
Christopher Wood (1901-30)
Nude 1928
Signed and titled verso.
Oil on canvas.
73 x 50 cm (283/4 x 193/4 in).
Provenance: Lucy Carrington Wertheim; Mercury gallery.
Exhibited: Newlyn Orion Art gallery, Penzance, Christopher Wood: The Last Years, 1989, no.6.
Matching descriptions:
Nude 1928
Signed and titled verso
Oil on canvas
28 3/4 x 19 3/4 ins - 73 x 50 cm
Provenance:
Lucy Carrington Wertheim; Mercury gallery
Exhibited:
Newlyn Orion Art gallery, Penzance, Christopher Wood: The Last Years, 1989, no.6
|
|
|
|
|
|
|
|
From Album: Wood, Christopher 1901-1930
Christopher Wood
1901- 1930
KEYWORDS: sold
Christopher Wood
1901- 1930
Lilies in a Decorated Bowl 1928
Oil on canvas
18 1/4 x 21 3/4 ins
Exhibited:
Redfern gallery 1938 no 112
Matching descriptions:
Lilies in a Decorated Bowl 1928
Oil on canvas
18 1/4 x 21 3/4 ins
Exhibited:
Redfern gallery 1938 no 112
|
|
|
|
|
|
|
|
From Album: Wood, Christopher 1901-1930
Christopher Wood
1901- 1930
KEYWORDS: sold
Christopher Wood 1901- 1930
Tennis Players c.1925
Oil on canvas,
36 1/4 x 25 1/2 ins
Provenance:
Prof. J. J. G. Alexander
Exhibited:
Redfern gallery 1979
Matching descriptions:
Tennis Players c.1925
Oil on canvas,
36 1/4 x 25 1/2 ins
Provenance:
Prof. J. J. G. Alexander
Exhibited:
Redfern gallery 1979
|
|
|
|
|
|
|
From Album: Nicholson, Winifred 1893-1981
Winifred Nicholson
1893-1981
KEYWORDS: sold
Winifred Nicholson 1893-1981
Blue Jug c 1935
Oil on board, Size: 20 x 17 ins
Provenance: Lady Spooner
Exhibited: Michael Parkin gallery 1986
Matching descriptions:
Blue Jug c 1935
Oil on board,
Size: 20 x 17 ins
Provenance: Lady Spooner
Exhibited: Michael Parkin gallery 1986
|
|
|
|
|
|
|
|
From Album: Nicholson, Winifred 1893-1981
Winifred Nicholson
1893-1981
KEYWORDS: sold
Winifred Nicholson 1893-1981
Green Helebore c 1948
Oil on board, Size: 24 x 24 ins
Provenance: Countess of Moray
Exhibited: City of Bradford Art gallery and Museums 1955
Matching descriptions:
Green Helebore c 1948
Oil on board,
Size: 24 x 24 ins
Provenance: Countess of Moray
Exhibited: City of Bradford Art gallery and Museums 1955
|
|
|
|
|
|
|
|
From Album: Hepworth, Dame Barbara 1903-1975
Dame Barbara Hepworth
1903-1975
KEYWORDS: sold
Dame Barbara Hepworth
1903-1975
Small Form (Head ) April 1962
Alabaster
Height: 10 1/2 inches (inc. base)
Provenance:
Bernard and Janet Leach
Exhibited:
Whitechapel Art gallery, Barbara Hepworth
Retrospective 1952 - 1962, 1962, no. 74;
Tate gallery, Barbara Hepworth Retrospective
1927 - 1967, 1968, no. 125
Literature: A. Bowness, The Complete Sculpture of
Barbara Hepworth, Lund Humphries, 1971, p. 33, no. 317
Matching descriptions:
Small Form (Head ) April 1962
Alabaster
Height: 10 1/2 inches (inc. base)
Provenance:
Bernard and Janet Leach
Exhibited:
Whitechapel Art gallery, Barbara Hepworth
Retrospective 1952 - 1962, 1962, no. 74;
Tate gallery, Barbara Hepworth Retrospective
1927 - 1967, 1968, no. 125
Literature:
A. Bowness, The Complete Sculpture of
Barbara Hepworth, Lund Humphries, 1971, p. 33, no. 317
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
Untitled 1967
KEYWORDS: Sold
Roger Hilton 1911-1975
Untitled 1967
Oil on canvas, Size: 50 x 40 ins
Exhibited: Gruenebaum gallery New York 1976 p12 illus
Waddington Galleries
Matching descriptions:
Oil on canvas
Size: 50 x 40 ins
Exhibited: Gruenebaum gallery New York 1976 p12 illus
Waddington Galleries
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
48. December 1967
KEYWORDS: available
48. December 1967
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited New Art Centre, Oxford gallery
gallery Gion Sanyo Kyoto Japan
Waddington Galleries
Adelson Galleries New York
Matching descriptions:
Signed and dated verso
Oil and charcoal on canvas
24 x 20 ins / 61 x 51 cms
Exhibited:
New Art Centre,
Oxford gallery
gallery Gion Sanyo Kyoto Japan
Waddington Galleries
Adelson Galleries New York
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
15. Flowers 1973
KEYWORDS: available
15. Flowers 1973
Monogrammed and dated Gouache and
charcoal on paper 22 x 15 ins / 56 x 38 cms
Exhibited Gruenebaum gallery, New York
Waddington Galleries
Matching descriptions:
Monogrammed and dated
Gouache and
charcoal on paper
22 x 15 ins / 56 x 38 cms
Exhibited:
Gruenebaum gallery, New York
Waddington Galleries
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
2. Head circa 1947
KEYWORDS: 2. Head circa 1947
Oil on canvas
18 x 14 ins / 45.5 x 35.5 cms
Exhibited Hayward gallery 1993 no 3
Matching descriptions:
Oil on canvas
18 x 14 ins / 45.5 x 35.5 cms
Exhibited:
Hayward gallery 1993 no 3
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
43. Nude circa 1967
KEYWORDS: 43. Nude circa 1967
Charcoal on paper
30 x 22 ins / 76 x 56 cms
Exhibited Hayward gallery 1993 (Private view card)
Waddington Galleries
Matching descriptions:
Charcoal on paper
30 x 22 ins / 76 x 56 cms
Exhibited:
Hayward gallery 1993 (Private view card)
Waddington Galleries
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
24. October 1960
KEYWORDS: 24. October 1960
Signed and dated verso , Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited: Serpentine gallery 1974 no 48
Scottish Arts Council 1974 no 30
Waddington Galleries
Matching descriptions:
Signed and dated verso,
Oil and charcoal on canvas
52 x 55 ins / 132 x 140 cms
Exhibited:
Serpentine gallery 1974 no 48
Scottish Arts Council 1974 no 30
Waddington Galleries
|
|
|
|
|
|
|
|
From Album: Hilton, Roger
34 Olga 1967
KEYWORDS: 34 Olga 1967
Signed and inscribed
Gouache and charcoal on paper
22 x 30 ins / 56 x 76 cms
Exhibited: Francis Graham-Dixon gallery
Waddington Galleries
Matching descriptions:
Signed and inscribed
Gouache and charcoal on paper
22 x 30 ins / 56 x 76 cms
Exhibited:
Francis Graham-Dixon gallery
Waddington Galleries
|
|
|
