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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson
1894-1982
Nudes c. 1934
Double-sided drawing
Pencil and yellow wash
Size: 13 1/4 x 19 3/4 inches
Provenance
Artist¹s Estate
Private collection England
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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson 1894-1982
Porthmeor Beach No 2 1928
Signed, dated and inscribed verso
Oil on canvas
Size: 18 x 20 3/4 inches
Provenance
D R Dyde
F Plaunt
Exhibited
Victor Waddington Dublin 1953
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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson 1894-1982
Nude c 1932
Pencil on paper
16 x 14 ins
Provenance:
Artist's Estate
Exhibited:
Waddington Gallerie
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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: Ben Nicholson 1894-1982
Decanter, Goblet and Jug c 1981
Monogrammed and dated verso,
Pen, ink & oil gessoed canvas laid on board,
17 x 18 ins - 43 x 45 1/2 cm
Provenance:
Artist's Estate
Exhibited:
Waddington Galleries
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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson (1894 - 1982)
Jenny Wren 1925
Signed, dated and inscribed on overlap Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte.
Oil on canvas mounted
on panel.
38 x 47 cm (15 x 181/8 in).
Provenance: Wilfrid Roberts; Waddington Galleries, London.
Exhibited: Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of Experiment
1919-39, July 1983-January 1984, Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery, 25 March-11 April 1986,
no.1 illus.
Matching descriptions:
Jenny Wren 1925
Signed, dated & inscribed on overlap
Ben Nicholson 1925 Jenny Wren for
Tim & Charlotte
Oil on canvas mounted on panel
15 x 18 1/8 ins - 38 x 47 cm
Provenance:
Wilfrid Roberts; Waddington Galleries, London
Exhibited:
Cambridge, Kettles Yard Gallery, Ben Nicholson: The Years of
Experiment 1919-39, July 1983-January 1984,
Arts Council Touring Exhibition, no.17, illus.;
Tokyo, Fuji Television Gallery,
25 March-11 April 1986,
no.1 illus
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From Album: Archive
Ben Nicholson
1894-1982
KEYWORDS: sold
Ben Nicholson 1894-1982
Porthmeor Beach c 1928
Signed, dated and inscribed verso
Oil on canvas, Size: 18 x 20 3/4 ins
Provenance: D.R. Dyde, F. Plaunt
Exhibited: Victor Waddington Dublin 1953
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From Album: Ivon Hitchens Archive
Cineraria Composition
KEYWORDS: Available
Cineraria Composition 1934 Signed & dated lower left Estate stamp verso Oil on canvas 25 x 32 1/2 in : 63 x 83 cm
Here Hitchens focuses on the central plant-pot of Spring Mood no 3 and takes reductive abstraction a stage further than in the earlier painting. 1934-7 were
the years in which he pushed his experiments in abstraction as far as they would ever go, culminating in Coronation 1937 (Tate Coll).
It is worth recalling that 1934 was the year of Ben Nicholson’s first white reliefs, and that the following years up to the outbreak of war were for him too the period of furthest abstraction, but that even in Nicholson’s work pure abstraction at no time wholly ousted figuration.
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